The shuffle is the engine of the blues. Every beat splits into a long note and a short one: long-short, long-short. Say "DUM-da DUM-da" out loud and you've got it.
This lesson is in A, using the open A string as the bass. Start with the open string alone so the swing gets into your hand before your fretting hand has anything to do.
Then add the boogie shape: the open A with the D string at fret 2 (the fifth, E), then fret 4 (the sixth, F#), two strokes each. Fret 2 with your index finger and reach fret 4 with your ring finger. Keep the index down the whole time.
Picking
- Downstrokes on every note give the classic, driving sound.
- Rest the edge of your palm lightly on the strings near the bridge: a thick chug, not a dead thud.
- Keep the picking hand moving even when it isn't striking.
It should sound like a train: steady, heavy, never rushed. The most common mistake is straight eighths creeping back in as the tempo rises. If the long-short feel flattens out, drop 10 bpm.
Start at 110 and work up to 160.
