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Lesson 3 of 10

Eruption: phaser, echo and a cooking amp

"Eruption" is the short solo guitar piece on Van Halen's 1978 debut album, and it changed what a lot of players thought a guitar could do. Eddie Van Halen's tone is hot and singing but never fizzy, with a swirling phaser and a wash of echo and room around it. Fast tapped runs sound smooth and vocal instead of harsh.

What was used

The gear most commonly cited for this era is an MXR Phase 90, an Echoplex tape echo and a Marshall Super Lead head. He reportedly ran the Marshall through a Variac, a device that lowers the mains voltage, which changes how the amp breaks up. The guitar is usually identified as his home-built striped "Frankenstrat", with a single humbucker in the bridge. Exact settings were never fixed and are debated, and the recording itself adds plenty of reverb.

The rig below is an approximation: a common way to get close to this sound, not the exact original gear or settings.

Playing it

  • Tapping: tap firmly with a fingertip of the picking hand, then pull it off slightly sideways so the next note sounds. Match the volume of tapped and fretted notes.
  • Mute idle strings with the heel of your picking hand and the spare fingers of your fretting hand. Hot amps make open strings ring.
  • Wide, fast vibrato and dive-style tremolo bar moves are a big part of the vocabulary.
  • Keep the phaser slow. Fast settings sound like a different song.

Signal chain

Guitar to amp, left to right. Settings are starting points to get you close: trust your ears.

  1. 1. Guitar

    Guitar with a bridge humbucker

  2. 2. Phaser

    Script-style phaser, Phase 90 type

    Speed
    9:00

    Van Halen reportedly ran it in front of the amp, so put it before the drive.

  3. 3. Distortion

    Plexi-style distortion

    Gain
    1:00
    Tone
    11:00
    Level
    12:00

    Into a clean amp, or skip it and use a Marshall-style amp on a crunch channel. Less gain than you think.

  4. 4. Delay

    Tape-style delay

    Time
    10:00
    Feedback
    9:00
    Mix
    10:00

    A single soft repeat.

  5. 5. Reverb

    Room or plate reverb

    Mix
    11:00
    Decay
    12:00

    Generous.

  6. 6. Amp

    Clean amp or Marshall-style crunch

    A big part of the sound is an amp that's loud and saturated but still clear.

Checkpoint

Move on when you can do all of these.

  • Set a slow phaser so you can hear it sweep under a held note
  • Get a hot amp tone with less gain than you'd expect, and check it stays clear on chords
  • Play a tapped phrase where tapped and fretted notes sound equally loud