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Lesson 5 of 10

Comfortably Numb: the soaring solo tone

"Comfortably Numb" is on Pink Floyd's 1979 album The Wall, and David Gilmour's two solos are often named among the greatest in rock. The tone is thick and smooth but still clear, with notes that sustain for ages and float in a cloud of echo. The first solo is gentler; the closing one is bigger, more saturated and soars over the band.

What was used

Be careful with any "exact rig" you read online: Gilmour's gear for this song is described differently from source to source, and he changed things often. A few points come up again and again. An Electro-Harmonix Big Muff is commonly cited as the main sustain for the solos. Delay is clearly part of the sound. He's strongly associated with Hiwatt amps and a Stratocaster in this period. A Yamaha rotary speaker cabinet, similar in idea to a Leslie, is reportedly used for some parts.

The rig below is an approximation: a common way to get close to this sound, not the exact original gear or settings.

Playing it

  • Phrase slowly. Leave space, and let the delay fill it.
  • Bend in tune and take your time getting there. Slow bends are a big part of this style.
  • Use a steady, relaxed vibrato on long notes. Rushing it sounds nervous.
  • Roll the guitar volume back a little for the first solo and up to full for the last one.

Signal chain

Guitar to amp, left to right. Settings are starting points to get you close: trust your ears.

  1. 1. Guitar

    Stratocaster-style guitar

    Bridge pickup, or bridge plus middle.

  2. 2. CompressorOptional

    Light compressor

    Sustain
    10:00

    For extra sustain. Set Level so on and off match.

  3. 3. Fuzz

    Big Muff-style fuzz

    Sustain
    1:00
    Tone
    11:00
    Volume
    1:00

    The main source of sustain. Many versions exist at budget and boutique prices.

  4. 4. Delay

    Digital or analog delay

    Feedback
    10:00
    Mix
    10:00

    Time about 400-500 ms. Hear it as space behind the notes, not as an obvious echo.

  5. 5. ReverbOptional

    Reverb or rotary-style effect

    A touch of room, or a Leslie-type swirl for color.

  6. 6. Amp

    Loud clean amp, Hiwatt-style

    Bass
    11:00
    Mid
    1:00
    Treble
    12:00

    Volume high, with lots of headroom. It should stay clean: the fuzz does the distortion, the amp just makes it big.

Checkpoint

Move on when you can do all of these.

  • Set a fuzz into a loud, clean amp so held notes sustain without turning harsh
  • Add a delay that you hear as space behind the notes, not as distinct echoes
  • Play a slow bend to pitch and hold it with steady, even vibrato