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Lesson 10 of 10

Killing in the Name: drop D and a Whammy octave

"Killing in the Name" is from Rage Against the Machine's 1992 debut album. Tom Morello's guitar is heavy but dry: a thick, punchy, mid-rich crunch with a low, chugging bottom end and almost no effects on the riffs. Then the solo goes somewhere else entirely, with notes leaping up an octave and back like a siren.

What was used

  • Tuning: the song is in drop D, with the low E string tuned down to D.
  • Whammy: the octave-jump sound in the solo is widely credited to a DigiTech Whammy, set to shift the pitch up an octave and swept with the treadle.
  • Amp: Morello reportedly used a Marshall JCM800 head for his core sound.
  • Other pedals: his board is reported to include a DOD EQ pedal and a Boss delay, among a few others. Exact models and roles vary between sources.

Morello is often described as keeping a small, simple setup, and he has reportedly said that he found his amp sound early and stopped tweaking it. The creativity comes from how he uses a few tools.

The rig below is an approximation: a common way to get close to this sound, not the exact original gear or settings.

Playing it

  • In drop D, the low three strings give you one-finger power chords. Practice moving them cleanly, muting everything else.
  • Play the riffs with strong, even downstrokes and stop the notes sharply. The silence between hits is part of the groove.
  • With the Whammy, rock the treadle in time with the beat. Practice slow sweeps first, then fast ones, and make sure the toe-down position lands exactly on the octave.
  • Keep the board small. Learn what three pedals can do before adding a fourth.

Signal chain

Guitar to amp, left to right. Settings are starting points to get you close: trust your ears.

  1. 1. Guitar

    Guitar in drop D

    Bridge humbucker.

  2. 2. Pitch shifter

    Whammy-type pitch shifter

    Any Whammy-type pedal with an expression treadle. Mode: one octave up. Treadle heel = dry, toe = full octave.

  3. 3. EQOptional

    EQ pedal

    Slight boost around the mids, level a little above unity.

  4. 4. Amp

    Crunchy amp or amp-style distortion pedal

    Gain
    1:00
    Bass
    1:00
    Mid
    2:00
    Treble
    12:00

    Keep the gain lower than you think: the riffs need to stay tight and clear. Starting points, not Morello's settings.

Checkpoint

Move on when you can do all of these.

  • Tune to drop D by ear against the open D string and check it with a tuner
  • Set a Whammy-style pedal to one octave up and sweep heel to toe in time with a metronome, landing on pitch
  • Build the whole sound with three pedals or fewer and explain what each one does